Ep. 224 "Staying Entertained" (Diary Entry 2:2 with Jake Meeks)
The Apprenticeship DiariesAugust 06, 2024
228
00:51:5271.25 MB

Ep. 224 "Staying Entertained" (Diary Entry 2:2 with Jake Meeks)

We pick right back up where we left off last week, with Jake Meeks of the Fireside Tattoo Network. You'll have to listen in to see what else we discuss, but I promise that you will stay entertained. Jake always has so much to offer.

Thank you so very much Jake! We are honored by you and your time; Thank you for your continued efforts to inform and educate yourself, as well as the next generation of artist. You're a great guy!

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[00:00:00] Hello Diary listeners, welcome back! Welcome back to the second part of Jake Meeks' uh, I guess Jake Meek, Meeks, Meeks, Meeks' I don't know what the possession would be, I should have asked him that, that would have been a good question.

[00:00:16] Anyway, uh, Jake Meeks of Fireside Tattoo Network, this is the second piece of his diary entry with us, and I'm calling it Staying Entertained. Because I hope that all of you stay entertained. Enjoy listeners.

[00:00:36] Welcome to The Apprenticeship Diaries, where raw meets refined.

[00:00:39] Let's be real, we're still working on refined.

[00:00:42] What it took, what it takes, and the stories that are made.

[00:00:45] Join us as we learn from professionals about how their stories begin.

[00:00:57] Um, what, what was the hardest thing for you? Like, what was the hardest to click for you in tattooing?

[00:01:04] Uh, like, just in any way, technically?

[00:01:07] Yeah, any of it.

[00:01:08] Um, probably, um, the thing that I struggled with the most for the longest was not wanting to, the client to be uncomfortable.

[00:01:19] So not committing to a lot, so, you know, something taking longer than it should because I'm trying to ease into it

[00:01:24] or get the people into the, you know, into the zone or whatever.

[00:01:27] And I still in, uh, sometimes find myself like that.

[00:01:31] If someone, you know, gets uncomfortable, whether rather than just, um, getting in there and getting it done,

[00:01:36] I'll like, uh, you know, ease back.

[00:01:40] And really all I'm doing is creating more work for me and a longer sit for them.

[00:01:44] Uh, but it took me a while to, you know, to, to get that down.

[00:01:47] Like, I wouldn't be willing to get them in a position that made my life easier.

[00:01:51] Like if they felt better sitting up for a lower back tattoo and it made the back super spongy,

[00:01:56] I just dealt with it, you know, rather than saying like, Hey, I got it.

[00:01:59] Like, sorry, this is going to go faster.

[00:02:01] If you just do it this way, if you just lean forward or don't, um, that was, it's always,

[00:02:06] it was more relationship type of thing.

[00:02:08] Like I was just wanting to keep them, you know, comfortable and happy.

[00:02:12] Uh, and it ended up being at the cost of the, the tattoo, you know, like spending longer than

[00:02:18] I wanted and maybe not getting the result that I wanted.

[00:02:20] That's a, that's a, a good, a good challenge.

[00:02:25] You know, um, there, I was in, um, the, the hair industry before tattooing.

[00:02:32] So a lot of client relations that involved touching and positioning and all of those stuff, like

[00:02:38] ergonomics, um, made a lot of sense to me.

[00:02:41] Of course I did all of what you're talking about, but the second somebody was like, look, this is,

[00:02:47] this is bad on you.

[00:02:49] It's bad on them.

[00:02:50] It's going to take longer.

[00:02:52] Why are you doing that?

[00:02:53] Maybe they had to tell me a few times, but eventually I was like, yeah, that makes sense.

[00:02:58] And your back eventually feels a lot of it too.

[00:03:01] Yeah.

[00:03:02] Yeah.

[00:03:03] It takes its toll, you know?

[00:03:05] And I, you, you end up, you know, you'll, you'll fix it in the long run, especially with you move,

[00:03:09] you know, as you get into more complex stuff or larger stuff and you realize you have to cut,

[00:03:13] like, you know, we can't do 15 sessions on this piece where you have to do it in six or seven.

[00:03:18] And we have to commit and get in there.

[00:03:20] And, um, you know, eventually you, you, you work it out, but it took me a while.

[00:03:25] And I still hate for people to be uncomfortable.

[00:03:26] Like if I can tell that they're really struggling through an area, I have to focus to not let it get

[00:03:31] in my head.

[00:03:32] You know, I'll, you know, I'll try to, you know,

[00:03:35] I'll say, yeah, do you want to, do you want to take a break?

[00:03:37] Like, no, no, no.

[00:03:37] I just want to get it over with.

[00:03:38] You're like, and then it's like, ah, okay.

[00:03:41] I'm like, uh, that that's a, that's a problem.

[00:03:44] I've still never completely.

[00:03:45] I'm sad to say that I've told people to get drugs.

[00:03:48] I'm like, you need to get drugs.

[00:03:50] Like whatever you're doing, it's not working and it's not working for me.

[00:03:55] It's not working for you.

[00:03:56] Yeah.

[00:03:57] Like drug yourself.

[00:04:00] They're like, what, how am I going to do that?

[00:04:02] I'm like, I don't know, man, figure it out.

[00:04:04] Yeah.

[00:04:05] I get drugs offered to me.

[00:04:06] Like get drugs.

[00:04:08] Right.

[00:04:09] Right.

[00:04:10] I just said we've got a podcast that has an episode that hasn't been released yet, but

[00:04:14] it's with Kurt Jacobson.

[00:04:15] And he is, uh, the whole podcast is about, um, he's traveling and doing, he's on like the

[00:04:22] competitive circuit.

[00:04:23] So he does the three day pieces for best to show at big shows.

[00:04:26] So he's going to hell city and trying to take best to show.

[00:04:29] So he has one client and you know how they're all doing like full thighs.

[00:04:31] It'll be like a five down your whole leg and you do it in three days.

[00:04:34] He's doing that stuff.

[00:04:35] So we talked about like everything from like how to recruit the types of clients to, you

[00:04:40] know, to, you know, getting as far as you need to get each day.

[00:04:44] And, uh, and then also pain management, you know, as well.

[00:04:48] And so we've, we talked about drugs.

[00:04:50] We talked about Bactine and all kinds of stuff in the episode.

[00:04:52] And he introduced something interesting to me.

[00:04:55] I've been a big proponent of, but you have using Bactine.

[00:04:57] I use it all the time in my tattoos and, um, I have noticed, I hadn't said anything about

[00:05:02] it, but I've noticed some of my regular clients are struggling more now than they ever have.

[00:05:07] And it's almost like it's not having the same effect.

[00:05:09] And Kurt brought it up.

[00:05:11] He was like, it's not having the same effect.

[00:05:12] People build up a tolerance to Bactine the same way they do to anything else that they

[00:05:16] take all the time.

[00:05:17] So if you're wiping them with Bactine every six weeks, if they're in there constantly

[00:05:20] and you're using it all the time from start to finish, like you're really doing them a

[00:05:25] disservice.

[00:05:25] And I never thought of it that way.

[00:05:27] And, um, he has an interesting approach where he's trying to use water for as long as he

[00:05:31] can, no Bactine, no anything.

[00:05:33] And he just communicates and he, he uses the one to 10 scale.

[00:05:36] He's just like, how, what, what, what's the pain level one to 10 right now?

[00:05:40] And they're like, you know, six or they're three or whatever it is.

[00:05:42] And so he's like, right, when you get to an eight, let me know.

[00:05:45] And then, so he'll hold off as long as possible before using any topicals like that.

[00:05:50] And he's getting people regularly, you know, every, every weekend or every show that he

[00:05:54] does, he's getting people through three days, you know?

[00:05:57] That's awesome.

[00:05:58] That's awesome.

[00:05:59] It's good to know.

[00:06:00] It's good to know.

[00:06:01] There's lots of different things.

[00:06:02] It's weird.

[00:06:03] Um, I mean, in the, in the drug and topical realm for sure, but like, um, you know, noise

[00:06:10] canceling headphones, you know, dark sunglasses, those kinds of things for people, a lot of sensory

[00:06:16] stuff like can get people.

[00:06:18] I noticed for myself, I'm a very talkative person, but past six hours of tattooing.

[00:06:24] Not at all.

[00:06:25] Nope.

[00:06:25] I hate your face.

[00:06:27] Yeah.

[00:06:28] I'm not happy.

[00:06:29] I can't, I can't do much.

[00:06:32] Like if you asked me anything, I'd be like, what?

[00:06:35] I'm ready to eat your face off.

[00:06:37] I want to lay down.

[00:06:38] I want to drink.

[00:06:41] I want to be hugged.

[00:06:43] Yeah.

[00:06:44] Like, oh, this is, this sucks.

[00:06:47] I don't know how they do it.

[00:06:48] Honestly.

[00:06:49] I mean, uh, they're cooler than me.

[00:06:52] Right.

[00:06:53] Yeah.

[00:06:54] Yeah.

[00:06:55] Same here.

[00:06:55] It's impressive.

[00:06:56] Especially at a convention at a show, you know, and I like there's the sensory stuff

[00:07:00] is a, is a big deal there.

[00:07:01] And, and it's helpful for smart, for small tattoos when you can talk to folks that are

[00:07:05] walking by the booth, you know, you're the, you're getting tattooed and people are asking

[00:07:08] what it is and you're showing it off, you know, an hour or two or three, that's fine.

[00:07:11] You know, within over time, it's just hearing everyone else laughing and having a good time

[00:07:15] around you.

[00:07:15] And you're like in the darkest hole.

[00:07:18] It's like, oh my God, get out of my face.

[00:07:20] And then like, you want me to do what, man?

[00:07:22] You want me to stand there while some judge looks at me?

[00:07:26] Right.

[00:07:26] What?

[00:07:28] Yeah.

[00:07:29] But yeah, that, that's going to be a great episode.

[00:07:31] I'll have to catch that.

[00:07:33] Yeah.

[00:07:33] I'm excited about it.

[00:07:34] I got, I got a lot out of it.

[00:07:35] Um, and it was, it went like, it's by far the longest episode I've ever recorded, like

[00:07:40] three and a half hours.

[00:07:41] So we're going to make it, uh, we'll break it up.

[00:07:44] I think, I don't know that I'm going to try to put someone through three hours, but.

[00:07:47] That's great.

[00:07:48] I love that though.

[00:07:49] I love that though.

[00:07:50] Yeah.

[00:07:51] I mean, you know, I always break them up into segments.

[00:07:53] Like if this went two hours, I try to do two episodes, um, you know, tension spans

[00:07:59] are, you know, it's just not what there's, yeah, whatever.

[00:08:03] Yeah.

[00:08:03] I don't, I don't do the.

[00:08:05] Marathon episodes.

[00:08:07] No, I do.

[00:08:08] I love them.

[00:08:09] I love long car rides for me.

[00:08:12] I I'll, I'll come right back to it.

[00:08:14] For me, it's about, is the content engaging enough to have me revisit it?

[00:08:19] You know, like, and a good story, good content, things like that.

[00:08:24] You'll come back.

[00:08:24] If it isn't, it isn't.

[00:08:26] Um, for me, it was always like, well, you did a thing, you know, with podcasting, you're,

[00:08:31] you're, you're using your time to make something that you're going to put out in the world.

[00:08:35] And for me, it's like, well, as the two people, I mean, you can look at the optics of it and

[00:08:40] be like, ah, you know, it didn't really do really well or no, not enough people clicked

[00:08:45] on it, but you did it.

[00:08:46] It's there for everybody.

[00:08:48] And if anybody comes in and criticize you and be like, well, where's your podcast?

[00:08:52] Yeah.

[00:08:53] Like, what did you do that day or with that time?

[00:08:57] You know?

[00:08:57] So that's, that's my whole thing is that like, you did a thing, you made something,

[00:09:02] you could have done a lot of things, but you, you did a really cool thing that people can

[00:09:06] tap into at any point.

[00:09:08] And I love that, that topic.

[00:09:10] That's a great topic.

[00:09:11] Um, I am seeing a lot of people like that.

[00:09:13] My friends, uh, Evan Olin and, um, uh, Andy large are doing a lot of those kinds of things.

[00:09:20] And his whole shop is like a rockstar cast at this point.

[00:09:22] It's pretty cool.

[00:09:23] I haven't seen them since before COVID.

[00:09:25] I was actually leaving his shop when COVID was really breaking out and I haven't been back

[00:09:31] there.

[00:09:31] And I'm just like, man, am I cool enough to like, he's my friend, but like, they're like

[00:09:38] way cooler.

[00:09:40] Yeah.

[00:09:41] Yeah.

[00:09:41] He's doing great.

[00:09:42] Yeah.

[00:09:42] You should, you should reach out.

[00:09:43] And, um, yeah.

[00:09:44] Um, yeah.

[00:09:46] Evan, I don't know, Evan, but I know his work.

[00:09:47] Well, I'm sure we've crossed paths.

[00:09:50] I know that I've worked at shows with him.

[00:09:52] I don't know that we've ever had a conversation, but his work's incredible.

[00:09:55] You'd love him.

[00:09:56] He's such a good person.

[00:09:57] Like, I mean, everybody that I've met through him has been good people.

[00:10:01] They're really fun too.

[00:10:03] Very fun.

[00:10:04] Yeah.

[00:10:05] Awesome.

[00:10:06] Yeah.

[00:10:07] Yeah.

[00:10:08] Um,

[00:10:09] all right.

[00:10:09] So you worked there for 15 years.

[00:10:14] Um, what would you say?

[00:10:16] What would you say your style is?

[00:10:19] I think it's, um, I, I, I really love creating a narrative, even if like the, no one else knows,

[00:10:28] like I, I like, um, I like creating a narrative.

[00:10:31] I like doing big tattoos.

[00:10:32] I always say like large scale, illustrative, like color illustrative, but I've really gotten

[00:10:37] to where I enjoy, you know, large scale black and gray.

[00:10:39] I don't love like realism.

[00:10:41] I like for things to seem believable, but, um, imaginative, uh, you know, I don't want it

[00:10:46] to look real, but I do want to create environments that look like they could be real.

[00:10:50] So, um, and, um, and so most of my favorite tattooers, you know, are working in styles

[00:10:55] like that.

[00:10:56] Um, and I've just gotten like, it's funny, like whenever you're trying to recruit people

[00:11:01] for, you know, backs and full fronts and sleeves and stuff like that, most people know

[00:11:06] what they want with a smaller tattoo.

[00:11:08] It's tougher a lot of times with, with big tattoos.

[00:11:11] So the more you can help by having some type of, uh, uh, uh, you know, uh, an idea, a story

[00:11:17] about common things like overcoming struggle or whatever, you know, that type of thing.

[00:11:23] Um, uh, as long as you can come up with a cool way to, to, to like, uh, to tell that story,

[00:11:29] I find that most of my clients are willing to get whatever I want to draw as long as I

[00:11:33] can explain what, you know, the narrative and why it is what it is.

[00:11:36] So I, um, and I use like a lot of the new, I use perplexity, but chat GPT, all of those,

[00:11:42] they're great for that kind of stuff.

[00:11:44] If you want to like, if you want to say like, Hey, I'm like, I want to do a back piece that,

[00:11:49] you know, that involves an owl and or whatever.

[00:11:50] Are there any, like, you know, there, are there any stories that combine those two animals

[00:11:54] and like, or what would you like, you know, are there any myths about, you know, about

[00:11:59] owls, horned owls that, you know, live in this type of world and it'll like, it'll

[00:12:04] help you so much and then you can at least like kind of piece stuff together.

[00:12:07] So I, you know, I've gotten to where I use that stuff a lot.

[00:12:09] I don't use it as much for image generation as I'm using it for a story to create the story.

[00:12:16] Yeah.

[00:12:16] Well, then you would love Joseph, Joseph Campbell too.

[00:12:19] Did you ever read him?

[00:12:20] No, I never did.

[00:12:21] No, no.

[00:12:21] You would love the power of myth.

[00:12:24] Okay.

[00:12:24] It's a good book.

[00:12:25] And I think it's a Utah, a YouTube interview as well.

[00:12:29] They made it into a book, but you can actually watch it.

[00:12:31] Joseph Campbell's dead, obviously, but he, he did this really great interview and he studied

[00:12:36] all of the world's like basic, basic mythologies and theologies and, and really, really, really

[00:12:45] like showed you, I mean, we've explored it at paradise, which is just so everybody knows

[00:12:51] where we met, um, I met through, but, um, we've done like, I know seminars there where

[00:12:59] we've had like archeological kind of conversations about symbolism throughout, you know, tattooing

[00:13:08] and time and, and correlations of tattooing being more medicine in certain, certain countries

[00:13:14] and, um, time spaces, but that there are these similar, these similar, uh, psychological attachments

[00:13:23] to, uh, images and symbols throughout all time and space and humanity.

[00:13:30] And that we are, we kind of gravitate to these same themes and it doesn't matter where we

[00:13:36] are, you know, a snake represents something very significant to humans.

[00:13:43] Um, it's, it's funny that it all started with snakes, but yeah, um, I think you'd really,

[00:13:50] really enjoy that.

[00:13:51] Um, but yeah, we have chat GBT and things like that.

[00:13:54] Um, that's really cool.

[00:13:55] I love that.

[00:13:56] So kind of illustrative, you know, in the grand way.

[00:13:59] Illustrative.

[00:13:59] And, and I like, um, you know, I, I like to layer and play, I like to get multiple opportunities.

[00:14:05] So I, I, I'm a much bigger fan of, of large scale work that I can, that I can build on,

[00:14:11] uh, more like a painting work general to specific.

[00:14:13] And I don't take a real tattoo-y approach, you know, I don't like do all my outlines,

[00:14:17] do all my shading, do all my color.

[00:14:20] Uh, uh, so yeah, I, um, I, I, I like larger stuff.

[00:14:24] I'm finding that I need to do smaller stuff just for my own, just to get it back a little

[00:14:29] bit.

[00:14:29] I spent a lot of years doing small tattoos and now I find I struggle when I'm at conventions,

[00:14:33] for example, and I have them trying to knock out something this size and like, all right,

[00:14:36] well, this should have been 30 minutes and we're an hour and a half in.

[00:14:38] And, uh, everything shows so much when you have those little ones and the precision of

[00:14:43] those it's, they're very technical.

[00:14:45] And I agree.

[00:14:46] I'm the same.

[00:14:46] I love big scale stuff, but, um, you know, that precision and that really good technical

[00:14:52] skills on those small ones.

[00:14:54] I mean, that's like really great mastery.

[00:14:56] Yeah.

[00:14:57] I agree.

[00:14:58] Yeah.

[00:14:59] Um, I asked that question because you do teach usually, um, things about finding your

[00:15:04] style and that was a great seminar that you gave by the way.

[00:15:08] Yeah.

[00:15:08] I love it.

[00:15:09] Yeah.

[00:15:09] Yeah.

[00:15:10] I think that's, I think that's important, especially for beginning tattooers is because

[00:15:13] when people think about, I start that talk, uh, separating style from category, you know,

[00:15:19] tattoo category.

[00:15:20] And a lot of times when we talk about style and tattooing, it's like asking, you know, what

[00:15:25] tattoo category do you work in?

[00:15:26] And like, Oh, like what, what's your tattoo style?

[00:15:28] Oh, I love neo trad.

[00:15:29] That's like, that's like a, that's too general to be your style.

[00:15:32] Your style is more personal than that.

[00:15:35] Yeah.

[00:15:35] Well, yeah, absolutely.

[00:15:37] Um, they're usually fusions.

[00:15:39] Um, yeah, for sure.

[00:15:40] Um, well, you know, this is the apprenticeship diaries.

[00:15:45] We're asking about your beginning.

[00:15:47] So, uh, have you apprenticed people?

[00:15:50] I know you're big in education now.

[00:15:53] So it's fireside and it's, it's huge.

[00:15:55] You've, you've really moved into the mentor space.

[00:15:58] Yeah.

[00:15:58] It's funny in a weird way.

[00:16:00] Yeah.

[00:16:00] So we had, um, underground art was sort of an apprentice by committee type of space.

[00:16:06] So there were three that I can think of for sure, uh, apprentices that we kind of worked

[00:16:11] by committee in those 15 years that I was there.

[00:16:14] Uh, and some, most of them had a lead apprentice, like someone that took them on that was kind

[00:16:19] of in, you know, kind of in charge.

[00:16:21] And usually that was David because he had been tattooing for so long and he loved homework

[00:16:25] and assignments.

[00:16:25] He had people draw a flash sheet every week and like, it was really into it.

[00:16:29] Uh, and I usually, um, led by like helping me solve technical problems and, you know,

[00:16:35] like in the, um, in the room with them, you know, uh, uh, so, so yeah, um, I have, but

[00:16:41] I think what we've done with fireside means a lot more to me because it's been this, uh,

[00:16:47] uh, is because I think we've been able to have a larger impact.

[00:16:51] I think what I found going through a not great apprenticeship and then the secondary

[00:16:56] apprenticeship being kind of a, you know, um, although I had great people around me,

[00:17:00] it wasn't as structured and you would get these like different answers to the same question

[00:17:06] from different people, all these different interpretations.

[00:17:08] And so I felt like whenever I started fireside, I, I recognize the problems that apprentices

[00:17:13] have in mentorships that aren't, you know, that aren't solving all their problems.

[00:17:18] And so that, that was the, that's probably what I'm more proud of is that, um, than any

[00:17:24] help that I gave any one individual is like the, um, uh, all of the great tattooers that

[00:17:30] we've had on the show through fireside over the years who have like said the right thing

[00:17:35] at the right time and the right person heard it.

[00:17:37] You know, I hear that stuff so often where it's just like, man, the, the, the episode you

[00:17:41] did with so-and-so like opened my eyes to a thing that I was doing wrong or just something

[00:17:46] that I didn't agree with my, you know, something my mentor had been saying, but it would be the

[00:17:49] way that that person said it, you know, resonated differently.

[00:17:52] And so I think that the impact that we've been able to have just through YouTube and stuff

[00:17:56] is, um, you know, it's, it's been awesome.

[00:17:59] No, I agree.

[00:18:00] And entirely about that.

[00:18:02] Like it, it comes to a point where, well, you know, you, you, you do realize that like,

[00:18:08] uh, people need to hear it from in a certain way, from a certain person.

[00:18:13] And otherwise you're just left up to your own means, you know, throughout repetition,

[00:18:17] hacking it, but at the same time, you know, you could be, um, maximizing things that much

[00:18:23] more if you just had access.

[00:18:25] So it's great.

[00:18:26] That's awesome.

[00:18:27] It's wonderful.

[00:18:28] Yeah.

[00:18:29] Yeah.

[00:18:29] Thanks.

[00:18:30] Yeah.

[00:18:30] What was the, I'm just curious, like, uh, what was the inspiration for fireside?

[00:18:35] I like what, you know, I, I had, um, I had been listening to, um, I was in a homebrewing

[00:18:42] and I was, there was a thing called basic brewing radio.

[00:18:46] It was before they were, they were called podcasts, but he did, it was just like homebrewers

[00:18:50] talking about homebrewing.

[00:18:51] And then they started a basic brewing video where they had short little videos on homebrewing.

[00:18:55] And it caught my attention at that point that like, I could do this on tattooing probably.

[00:19:00] And this was 2005, six, seven, we didn't start fireside until 2013, but that was when the

[00:19:06] idea first kind of was planted.

[00:19:08] And then I started tattooing someone who, um, who started a podcast that really blew up

[00:19:16] in the fitness and conditioning world called a barbell shrugged.

[00:19:18] And I was tattooing them.

[00:19:20] This guy, Mike, I was doing a sleeve and he was like, uh, talking about starting a podcast.

[00:19:25] And I was like, I've heard of them, but I don't know what they are.

[00:19:27] And he was like, well, he played a Tim Ferriss podcast for me.

[00:19:30] And I was like, okay.

[00:19:31] And so we're listening to Tim Ferriss talk while we're tattooing.

[00:19:34] And, um, he was like, I'm going to start one on like Olympic weightlifting and CrossFit.

[00:19:37] And I'm like, oh, cool.

[00:19:39] And so, um, so this was a sleeve I'm working on, on him.

[00:19:42] And so each session we listened to more stuff.

[00:19:44] And then he had recorded a couple of his first episodes.

[00:19:47] And, um, I was like, uh, I wonder if they have one on pot on tattooing.

[00:19:51] And he was like, they have them on everything.

[00:19:53] All right.

[00:19:53] Like, I bet you they do.

[00:19:54] And so we start searching and there was this, um, Keith Carmelo had one called the tattoo.

[00:20:01] Not the tattoo mentor, like the tattoo.

[00:20:03] Maybe it was a tattoo mentor.

[00:20:04] I forget what it was.

[00:20:04] Forget, but it was an audio only.

[00:20:06] And he had recorded a few episodes and then kind of fallen off.

[00:20:09] It had, there was what I, by the time I found it, there hadn't been an episode in like a year.

[00:20:13] And, uh, Mike was like, you should do one.

[00:20:15] Like, I can give you a list of the stuff that I bought.

[00:20:17] I bought it at guitar center on whatever street.

[00:20:19] And he was like, I bought like three mics and this mixer and whatever.

[00:20:21] And so he gave me the list and I went down and bought it and then roped David into recording

[00:20:26] some episodes with me.

[00:20:28] And we drank a whole bottle of Jameson for the first episode.

[00:20:31] Uh, it was a shit show.

[00:20:33] And, uh, but it was fun at the end of it.

[00:20:35] People like, you know, we didn't get a lot of views or anything.

[00:20:38] Yeah.

[00:20:39] It was just cool.

[00:20:39] It was just like a way to sit down and do kind of shop talk.

[00:20:42] Um, and so, yeah, it was, that, that's kind of the way that it, you know, the way that

[00:20:46] it started and we just stuck it out.

[00:20:48] It was just, it was just David and I talking for, you know, 20 or 30 episodes.

[00:20:54] And then we were going to a convention anyways, we were going to the star of Texas, Marcy

[00:20:58] Melkins convention in Austin.

[00:21:00] And I was like, I wonder if she would let us like podcast with people there.

[00:21:05] Uh, so I reached out to her and we had tattoo booths and I was like, is there like a spot

[00:21:10] like that I could set up just to record and like do interviews with people?

[00:21:13] And she was like, you could probably just do it in like the hallways or the common areas.

[00:21:16] Right.

[00:21:16] And so I did.

[00:21:17] And of course the, the place, the, the, whatever the, um, convention center itself didn't think

[00:21:23] that was cool.

[00:21:23] So they were like constantly chasing me off.

[00:21:25] So we're like setting up someplace different every day.

[00:21:29] I don't know.

[00:21:30] I don't know.

[00:21:31] They ended up going to Marcy and saying like, Hey, you're not.

[00:21:34] Like this guy's plugging into receptacles and running cameras and stuff like that.

[00:21:39] You're going to have to pay for the, like, we rented you this room, but not the whole

[00:21:43] place.

[00:21:44] So Marcy came to me and she was like, they want like 150 bucks for you to set up right

[00:21:48] here.

[00:21:48] And I was like, okay.

[00:21:50] Can I give you 150 bucks?

[00:21:51] Yeah.

[00:21:52] I did like day two.

[00:21:53] I gave her 150 bucks.

[00:21:54] Why do they wait this long?

[00:21:55] I could have just given them the money.

[00:21:57] Yeah.

[00:21:58] Yeah.

[00:21:59] That's hilarious.

[00:22:00] We started doing like actual like interview podcasts then.

[00:22:03] And, uh, yeah, I just have no, having no idea what it was going to be.

[00:22:06] Like, I didn't know what we were, why we were doing it, you know, or, you know, there was

[00:22:10] no like, there was, there was, there was no like end goal that I was shooting for.

[00:22:15] It just seemed like something to do.

[00:22:21] Did you know that Paradise Tattoo Gathering has a scholarship fund for aspiring tattoo artists?

[00:22:27] Well, I'm here to tell you it does.

[00:22:29] This program aims to provide opportunities for those who may not be able to afford to

[00:22:35] attend the event.

[00:22:36] As Derek Youngberg of Tattoo Career Builders put it, this scholarship opportunity is for

[00:22:41] somebody who can't afford to get there.

[00:22:43] It's not just about the education.

[00:22:46] It's about the networking platform they will find when they get there.

[00:22:50] My name is Amy Nichols.

[00:22:52] And as a tattoo artist of 16 years, I can say that Paradise has been a critical part

[00:22:57] of my life as a professional.

[00:23:00] Paradise Gatherings reinvigorate and offer a space for artists who feel they have plateaued

[00:23:05] in their careers.

[00:23:06] As I said on the Fireside podcast, I feel like Paradise can give you new wings.

[00:23:12] It can connect you with people that can reinvigorate your business model and talent.

[00:23:17] This scholarship is part of the work that events like Paradise are about.

[00:23:22] It offers another example of community and giving back.

[00:23:26] Paradise has always been a place where all have been welcomed under the common dedication

[00:23:30] to excellence in tattooing.

[00:23:32] This scholarship aims to expand the Paradise mission to educate, support, and connect artists.

[00:23:38] You can play a part in supporting the future with a donation to the scholarship fund.

[00:23:43] Your contribution will be matched up to $10,000 by Coalition Tattoo Supply and Tattoo Career

[00:23:49] Builders, doubling the impact of your generosity.

[00:23:52] You can also nominate an artist to receive a scholarship or be considered for one.

[00:23:57] Whether you want to donate, nominate, or apply, please go to this web address.

[00:24:21] There is no end goal for me now.

[00:24:23] I mean, it's the same.

[00:24:26] Well, I mean, mine was the love of the medium.

[00:24:30] I should admit that the first time I came across you was not at Paradise.

[00:24:36] That's physically, yes, where we came in contact.

[00:24:39] But I was being dogged when I was starting.

[00:24:42] Because I was amazed when I started my podcast, how little, I guess because we're all kind

[00:24:52] of introverts, tattoo artists.

[00:24:55] I mean, I look at us as extrovert introverts.

[00:24:58] And man, do we have a lot to say about what we do.

[00:25:00] So I thought, oh, this is great.

[00:25:03] You know, like I could interview and especially with the premise of apprenticeships.

[00:25:07] I was like, who's going to be scared about like their beginning?

[00:25:10] Like, that's a story you can tell.

[00:25:13] It happened.

[00:25:14] I mean, yeah, it's going to be your view.

[00:25:16] And you can keep people out of it if you don't want to shout them out.

[00:25:21] But I was amazed how many people just were not, and maybe it was a me thing.

[00:25:26] I don't know.

[00:25:27] Like they were just not really savvy about me doing it.

[00:25:31] And I was doing it for a lot of reasons because I, like I said, I hate technology.

[00:25:36] I really don't like it.

[00:25:38] And the tinkering thing, I'm trying to be better at it, but I'm not.

[00:25:42] And so I wanted to confront that because I noticed that people who are good at it usually

[00:25:47] have kids and they usually have to get good at it because their kid like brings them something

[00:25:51] and they're like, oh shit, what is this?

[00:25:54] I just want to keep up with it to keep up with their kid.

[00:25:57] And I'm like, well, I don't have kids.

[00:25:58] So I have to do this.

[00:25:58] So I started it and then they were like, they kept telling me about, you know, open

[00:26:05] books podcasts and your podcast.

[00:26:08] And they're like, have you looked at them?

[00:26:09] And I'm like, no assholes.

[00:26:11] I'm not.

[00:26:12] I've listened to, I know what a podcast is.

[00:26:14] Okay.

[00:26:15] Like I'm doing my own thing, you know?

[00:26:17] And that was the thing for me was that like a big thing about what I found, especially nowadays,

[00:26:24] because I feel like social media has grown so much and it's very inundating.

[00:26:31] And there's so many different things going on, things that you definitely want to shut

[00:26:36] out and have to take breaks from.

[00:26:38] But one thing I loved about apprenticeship and that I miss, and that I wish that people

[00:26:43] would really, really pay attention to is, and I don't know if it's different now because

[00:26:50] of cell phones and everything, but in my time, that joy of just being single-minded, like

[00:26:57] putting blinders up to everything else and just like really focusing.

[00:27:01] And you can't make, if you're watching everybody else's shit, like you can't.

[00:27:08] And the whole like find your style thing, it's like, okay, well focus on a goal and go after

[00:27:15] it and turn the rest of the noise off.

[00:27:18] Like you can get on the internet, but go in there with a single mind of focus to create

[00:27:22] something, you know, you can draw influence from here, here and here and here.

[00:27:26] But if I'm off there, like, you know, listening to you constantly, all I'm going to be is like

[00:27:31] a poor man's Jake.

[00:27:32] And I was like, you don't care.

[00:27:34] I don't care.

[00:27:36] I don't, I know what I'm doing.

[00:27:38] I don't even care if it's tattoo centric.

[00:27:41] Right.

[00:27:42] Really?

[00:27:43] I don't even like half of you.

[00:27:47] So that was my whole perspective.

[00:27:50] Yeah.

[00:27:50] Yeah.

[00:27:51] Yeah.

[00:27:52] But yeah, I did meet you there and it was 2013 ish.

[00:27:57] I remember 14, I think 14 or 15 for me.

[00:28:00] Yeah.

[00:28:02] I, I, I, I completely agree.

[00:28:04] I don't listen to a lot of like tattoo stuff.

[00:28:06] I will zip past and I don't know why it's something in my own mind, but there are newer podcasts

[00:28:11] that are putting clips out on, on, you know, like on Instagram, the same way that we are.

[00:28:15] And like, I instantly recognize that their production value looks cleaner, that they like everything.

[00:28:20] And I won't even listen to what they're trying to say.

[00:28:22] I'll like zip past it as fast as I can.

[00:28:24] And it's like, why, like, why, why don't I want to hear what they have to say?

[00:28:27] I like, cause I'm intimidated because they're, cause their camera looks better than my camera.

[00:28:31] I don't like, I don't know why it's like, are they saying smarter stuff than me?

[00:28:35] They're half my age.

[00:28:36] I guarantee you, they don't have the tattoo, like, like experience, you know?

[00:28:40] But the, but for whatever reason, I don't know why is it past it.

[00:28:43] Russ Abbott told me years ago, whenever he was one of the early people that I reached out to

[00:28:47] when I started fireside, we weren't friends.

[00:28:49] I met him because of fireside.

[00:28:52] He was doing the Abbott color wheel around the time that I was doing fireside.

[00:28:55] And I reached out and offered to like do a podcast episode with him or whatever.

[00:28:58] And we were talking, I was talking about some episode that I had put out recently.

[00:29:03] And I'd asked if he had seen it.

[00:29:05] And he was like, I don't, um, I don't listen to anything that you, that you put out.

[00:29:10] Um, because, uh, we're both like entrepreneurial and I'm, and I'm afraid if you say something

[00:29:17] about one of your ideas that I've already probably already thought about that as well.

[00:29:22] And I don't want you to think that I'm like ripping you off whenever I do it.

[00:29:24] So I'd just rather not ever know that you had the idea.

[00:29:27] Yeah.

[00:29:27] And I remember just thinking like, well, that's shitty, man.

[00:29:29] Like, why can't we like share ideas?

[00:29:31] But I get it.

[00:29:32] Like, yeah, same thing, you know, like I zip past them probably for that reason.

[00:29:35] It's like, oh, I don't want them to have a perspective that I, that I have or slightly

[00:29:38] different.

[00:29:39] And then somehow we're, I don't know, like I'm ripping them off or something, you know?

[00:29:43] Well, there's an authenticity to the, to the moment too.

[00:29:45] I do know for myself that when it comes to learning, um, a lot of my learning comes from having

[00:29:52] this kind of connection with somebody like, like sitting down with you, taking this time,

[00:29:57] asking you questions.

[00:29:59] Those are the kinds of things that will mental map it for me more than, than anything else,

[00:30:05] you know?

[00:30:05] Like, and I don't know.

[00:30:08] I look at a lot of art.

[00:30:10] I thought about going to a podcast, like a convention.

[00:30:13] Have you ever done that?

[00:30:14] I've never done one.

[00:30:15] I've, I've, I've thought about doing them.

[00:30:17] Uh, there are quite a few of them, a few really big ones.

[00:30:20] Yeah.

[00:30:20] If you ever want to do one, I think that'd be fun to do together.

[00:30:24] That'd be fun.

[00:30:24] Yeah.

[00:30:25] Um, because I, I know that would probably scale it for me quite a lot.

[00:30:29] Um, just to kind of, because that's how it's been with paradise and, and those kinds

[00:30:33] of educational spaces is that like, it's so concentrated.

[00:30:38] Um, when I'm, when I'm experiencing things for entertainment, it's, it's a weird headspace

[00:30:44] I'm in.

[00:30:44] I don't, I'm not really looking there for notes.

[00:30:47] I'm looking there for like my own shit.

[00:30:50] Yeah.

[00:30:51] Yeah.

[00:30:52] Maybe it's the whole thing.

[00:30:53] Like you said, like we kind of get in our own way when it comes to learning, like we

[00:30:56] should know more, but we, we want to figure it out ourselves.

[00:30:59] You know?

[00:31:00] I don't know.

[00:31:01] Maybe that's us.

[00:31:02] Yeah.

[00:31:03] Yeah.

[00:31:03] Yeah.

[00:31:04] As, as, as adverse as I am to like accidentally getting information from other tattooers about

[00:31:09] tattooing, like tattoo, other tattoo podcasts, whatever it is.

[00:31:12] I'm completely open ears to every other medium and thing that I'm interested in to figure out

[00:31:17] how I can pull it into tattooing.

[00:31:18] So I'm still like completely taking stuff from woodworking shows that I watch and from

[00:31:22] everything else that I'm into in the world, fishing, everything else.

[00:31:25] And I would just be like, Oh, that's a cool idea.

[00:31:27] I wonder how I could do that for fireside.

[00:31:29] I wonder if I could like find a way to relate that idea to tattooing.

[00:31:33] Um, that's where find your style, you know, that whole seminar simplify and find your style

[00:31:37] both came from like, I didn't invent any of them.

[00:31:39] It's like painting stuff, illustrative stuff, woodworking stuff.

[00:31:44] It's just like a hodgepodge of stuff that I just grabbed from other places and then put

[00:31:48] it through my tattooers filter, you know?

[00:31:50] Yeah, no.

[00:31:51] And that's a great way to do it because I mean, that's what we ask our clients to do, you

[00:31:56] know, like go make a visual map of things, you know, share your Pinterest file with me.

[00:32:01] I want to see what you look at and what you like.

[00:32:02] And, you know, that'll let me know if I'm the right fit.

[00:32:06] If, you know, like I'll get to see a little bit of what you're attracted to, you know,

[00:32:10] because that, that's also the thing.

[00:32:12] I mean, my stuff, I don't know.

[00:32:16] I, I get a lot of influence from my clients.

[00:32:18] Um, I really liked the, um, uh, the, the, I went into tattooing thing.

[00:32:25] I was going to do my art for a living, but what I found was, is that I, I, I don't, I

[00:32:32] don't have a lot of comfort doing that.

[00:32:33] Um, I don't have a lot of comfort doing my art.

[00:32:36] I'll put my skill to their idea, but I, and it's art and it's a commercial application

[00:32:45] of art.

[00:32:46] Um, but all of it comes from them.

[00:32:48] And I really like using their, their visual map and their visual ideas.

[00:32:54] They come with some crazy ideas, man.

[00:32:56] Like, and I'm just like, Oh, like I had somebody that gave me like 15 things and they're like,

[00:33:01] you get my whole leg.

[00:33:02] And I was like, that's a lot of shit to put in one leg, but I'm going to figure it out,

[00:33:06] man.

[00:33:08] Yeah.

[00:33:08] But yeah.

[00:33:10] Um, I love that stuff because that's kind of how I take on my tattoo projects is that

[00:33:15] like, okay, they said they like this.

[00:33:17] They said they like this color, these things, let's like map it all together.

[00:33:21] And it's like finding their brand within the art sticks.

[00:33:25] But I think it helps grow my style.

[00:33:28] And I also think it helps it make sure that it's never replicated.

[00:33:32] Um, yeah, yeah.

[00:33:34] Yeah.

[00:33:35] But yeah, I love, I love that seminar.

[00:33:38] It's a great seminar.

[00:33:39] Yeah.

[00:33:40] Thank you.

[00:33:40] I appreciate it.

[00:33:41] This.

[00:33:42] Oh, I'm sorry.

[00:33:43] It's changed.

[00:33:44] It's evolved.

[00:33:45] It's, I do it different every single time that I, that I do it.

[00:33:48] It's become a lot more audience interactive the last five or six times I've done it.

[00:33:52] And I like that.

[00:33:52] That's the direction I want to go.

[00:33:53] I want people answering questions and talking within the first like three minutes, uh, so that

[00:33:58] we don't like, so they don't, you know, I want to introduce my basic ideas.

[00:34:02] Uh, and I want, you know, maybe you might, you might remember that.

[00:34:04] I pull up two very similar artists and I put them side by side and I say like, these guys

[00:34:08] are both working in bio organic.

[00:34:10] These guys are both illustrative.

[00:34:11] These two are this.

[00:34:12] And then it's like, what's different about them?

[00:34:14] And we start to pick apart what's different about them.

[00:34:16] Uh, and I just, I try to get to that stuff as fast as possible because it allows me,

[00:34:20] I do find probably better even maybe from podcasting.

[00:34:23] Uh, uh, I'm terrible at staying on my script in my, in my slides.

[00:34:27] Like if I'm going through and trying to do a presentation, I'll go off in my own direction,

[00:34:32] just talking and then realize like, Oh, I'm four slides behind.

[00:34:36] But if, uh, but if I just start a conversation and people are coming back to me, I can move

[00:34:42] through everything seamlessly.

[00:34:45] I like the, it's the internet, it's the back and forth that I do so much better than the

[00:34:48] presentation.

[00:34:49] And so, um, so yeah, that's been the thing with find your style.

[00:34:52] It's like, how do I get people involved early?

[00:34:55] Answering questions early.

[00:34:56] I think that helps, like, like I said, like it helps them remember it better too.

[00:35:02] Um, that's the point of a classroom setting as opposed to just listening to a podcast.

[00:35:06] Yeah.

[00:35:07] Right.

[00:35:08] You're there.

[00:35:09] And they, they help you.

[00:35:11] They, you know, that approach helps you to evolve your presentation because you're talking

[00:35:15] to a room of professional artists.

[00:35:17] They have ideas that you don't have.

[00:35:19] They have response.

[00:35:19] Like when I say what's different between time and Q and a guy sitting in these two pieces,

[00:35:23] um, most of the stuff that I regurgitate now came from someone answering in a different

[00:35:28] way than I anticipated.

[00:35:29] I'm like, Oh yeah, that's good.

[00:35:31] Like, well, let's go with that.

[00:35:33] You know?

[00:35:33] And so, you know, that's the cool thing is like, they're there to take my seminar,

[00:35:37] but that's a room full of people who draw for a living.

[00:35:40] So why can't I get something from them?

[00:35:42] You know?

[00:35:42] No, absolutely.

[00:35:43] I mean, everybody's getting something out of it.

[00:35:45] Right.

[00:35:45] Like, and I think that's, um, the beautiful thing about the mentor mentee relationship

[00:35:50] is that you get to find out what, you know, as the mentor and as the mentee, you, you

[00:35:54] get to learn and you can share a lot of insights between each other.

[00:35:58] That's really cool.

[00:35:59] If you're, you know, connected to that, that's awesome.

[00:36:02] Yeah.

[00:36:02] Yeah.

[00:36:03] And then this year you're doing one on simplification.

[00:36:07] Yeah.

[00:36:07] I've done this with only once it's, it's actually a course that you can buy it on our

[00:36:11] website, simplify, but I'm trying to make it alive kind of presentation as well.

[00:36:17] Uh, and it's a little more, uh, it's more advanced.

[00:36:21] I think it's for people who have been tattooing for a while and maybe have hit a wall.

[00:36:25] And it's essentially just my process for, um, it's built around the idea that no one solves

[00:36:32] a problem by adding, by adding complexity.

[00:36:34] You solve a problem by simplifying it, you know, to it's like, you know, the most basic

[00:36:38] kind of form and then building it back up from there.

[00:36:40] And so I just use if then scenarios from the consultation all the way out.

[00:36:45] You know, what do I notice about the person when they come in the door?

[00:36:48] What are they shaped like?

[00:36:49] What does their voice sound like?

[00:36:51] What do we talk about?

[00:36:51] And I like, and I just have simple ways where it's like, you know, just if then scenarios

[00:36:56] that I'm just playing in my own mind through the process.

[00:37:00] And so now I'm going to, I'm going to update the online or the actual course a little bit.

[00:37:05] All of my courses are not there.

[00:37:08] Well, I say all they're only two foundations and simplifier are two main kind of flagship

[00:37:12] courses.

[00:37:12] And you don't, I don't tattoo in either of them.

[00:37:15] And they're, they're drawing for tattooers courses.

[00:37:18] So I take simplify all the way from consultation to stencil on skin.

[00:37:23] But I don't do the tattooing part.

[00:37:25] And I've been talking to Gabe and Dan a little bit about it, who helped me a lot with fireside

[00:37:30] about like, well, why don't it's at this point in time today, there's so many people teaching

[00:37:35] tattooing.

[00:37:36] If you see your 10 masters stuff pop up or tattooing one-on-one, all the, they're all

[00:37:40] teaching physical tattooing, three round liners, seven and a half volts.

[00:37:43] I don't know.

[00:37:44] All that stuff's on constantly.

[00:37:45] It's like, people obviously want to know it.

[00:37:47] I don't know that it's as useful as they think it is, but, um, to watch someone else to,

[00:37:53] to use their needle configurations or whatever.

[00:37:55] But, um, but I do think that I could do the tattoo from simplify.

[00:38:01] Like I could add two more modules and say, all right, we've gotten all the way to stencil

[00:38:04] on the skin.

[00:38:05] Now I'm just going to film the tattoo and at least have, you know, add some tattooing

[00:38:09] to it.

[00:38:09] I was, I was, I was hesitant.

[00:38:12] I kind of stayed away from that for a long time.

[00:38:15] Cause I didn't want to teach tattooing, uh, you know, but, uh, uh, but I think I'm going

[00:38:20] to give in and go.

[00:38:22] So someone out there is going to get the tattoo from simplify for free.

[00:38:25] I'm going to discuss.

[00:38:25] They just have to let me put it where I want it.

[00:38:27] And, uh, let me film it.

[00:38:30] Yeah.

[00:38:30] All right.

[00:38:30] That's really cool.

[00:38:31] That's really, really cool.

[00:38:32] I love that.

[00:38:33] Uh, that's good to put out, uh, too, you know?

[00:38:36] Yeah.

[00:38:37] Let me know if you want, if you're, if you're interested in, I need a back of a cat.

[00:38:39] I need a clean back of a calf.

[00:38:41] I'm clean back of a calf.

[00:38:42] Yeah.

[00:38:43] And I'll share the design.

[00:38:44] Uh, it's a cool, cool Raven.

[00:38:47] It's nice.

[00:38:48] Right on.

[00:38:49] That's pretty dope.

[00:38:50] I love that.

[00:38:51] That's good to know.

[00:38:51] Are you advertising for it right now?

[00:38:53] I haven't.

[00:38:54] That's first of all, you haven't said it.

[00:38:55] Oh, cool.

[00:38:56] I've just been, I've just been thinking it.

[00:38:57] I've said it to Dan and Gabe, uh, in one of our fireside meetings.

[00:39:00] Like, I think I'm just going to do these, the foundations tattoo and the simplify tattoo.

[00:39:04] They're both birds.

[00:39:05] Very cool.

[00:39:06] So no, I like that.

[00:39:07] I mean, you know, it covers, it covers everything, right?

[00:39:11] Like, um, you know, I've, I'm a very, I'm a, I'm a very process oriented learner and somebody

[00:39:19] who likes to be tactile and get my hands in it.

[00:39:22] There's really only so much I can get from, from auditory things.

[00:39:26] Like, I really do think that the dedication to be a failure has like, well, to be okay with

[00:39:33] being a failure is what has worked in my, my favor.

[00:39:37] Yeah.

[00:39:38] Yeah.

[00:39:38] And I've always really enjoyed the, the, um, the more psychological or more process oriented

[00:39:45] seminars personally, just because for me, that, uh, I don't know, like that's, that's

[00:39:52] the nice sharing stuff.

[00:39:53] I do feel like that when you get into tattooing, um, you figure it out.

[00:39:58] Like, I mean, you, you can really feel it.

[00:40:00] Like you can, you can feel the materials, you can feel how it's supposed to be after a

[00:40:04] while, but I guess it gets, you know, it, it can get there faster, I guess.

[00:40:09] I mean, I don't know.

[00:40:10] I, I, I learned in a time where they were like, here, here are these things.

[00:40:14] This is how it's supposed to be.

[00:40:15] And you're doing it wrong.

[00:40:17] Like, you know, like, um, so I guess, you know, with tattooing, it would, it would, uh,

[00:40:23] it would scale things.

[00:40:24] I've had a lot of people ask, like, why aren't you more technical?

[00:40:26] And I'm like, cause I don't really know.

[00:40:28] I don't really, I don't, I don't even know if I know what I'm doing technically.

[00:40:33] What am I using again?

[00:40:35] Yeah.

[00:40:37] Um, but yeah, like I, I, I sounds like a great seminar.

[00:40:40] It really does.

[00:40:41] I'm excited about it.

[00:40:43] I mean, I'm going to paradise.

[00:40:44] I'm, I'm tattooing this year though.

[00:40:46] So I'm like, Oh, okay.

[00:40:47] Gotcha.

[00:40:48] Yeah.

[00:40:49] Yeah.

[00:40:49] Well, it's, it's included with the day.

[00:40:51] I'm going to do it on the main stage.

[00:40:52] So it's a, it's a free seminar.

[00:40:53] It's included with the four day pass.

[00:40:55] So anyone who's coming can come watch it.

[00:40:57] Awesome.

[00:40:58] And then the, the tattooing aspect of it would be recorded.

[00:41:02] Yeah.

[00:41:02] So that's part, that's for the course that already exists so that, yeah, I'll give it.

[00:41:06] Um, I don't know how I'll do that for, for paradise.

[00:41:09] I probably will just do it, you know, the existing way, but what I don't know about it

[00:41:12] as opposed to find your style is I don't know how to get the audience involvement in

[00:41:16] that one.

[00:41:17] There's not as much built in.

[00:41:19] There aren't as many easy ways to, to get the audience involved.

[00:41:22] So I'll, uh, I'll probably do it in front of the mirror, in front of my family

[00:41:26] and see where I can start to get people involved.

[00:41:29] We'll figure it out.

[00:41:30] That's awesome.

[00:41:30] That's awesome.

[00:41:32] What's your, um, what's your, uh, uh, life like right now?

[00:41:38] Like, what are you, I mean, that's one thing that you're doing.

[00:41:41] Like what's next?

[00:41:42] Is there any goals, any things that are coming up?

[00:41:45] Yeah, I'm still, um, uh, I just put out this, uh, this documentary called flow with, with

[00:41:52] Dave Kohnig, where we went and spent, we spent a week with them.

[00:41:55] And, um, I was excited to put it out because it's different.

[00:41:58] It's not a podcast.

[00:41:58] It was meant to be more of a, you know, like a documentary.

[00:42:01] Of course, I've never done anything like that before.

[00:42:03] I'm not a documentarian, which when I showed all the rough cuts to people, they made it

[00:42:07] very clear that I was not a documentarian.

[00:42:09] They're like, yeah, it looks like a podcaster trying to do a documentary.

[00:42:12] But, um, but I think it came together pretty decently and I would like to do a few more

[00:42:17] of those, um, on where I go and actually spend some time with someone and get into their

[00:42:21] life a little more and get into their processes outside of just sitting down and talking about

[00:42:26] tattooing in a podcast format.

[00:42:28] Um, you know, I enjoy like getting all the B-roll and getting like, you know, meeting their

[00:42:32] families and getting all the behind the scenes stuff and all the stuff, other stuff they

[00:42:36] do.

[00:42:36] Um, so in that I'll, I'll be looking probably for partners.

[00:42:40] I did this one on my own and I did all the editing on my own, which, um, I'm glad I got

[00:42:44] the experience, but I need a post-production team.

[00:42:47] I can't do it.

[00:42:47] And so I'll, um, I'll have to raise money for it.

[00:42:50] I don't know, um, whether I'm going to do that by like funding it through fire, the fireside

[00:42:56] audience or whether I'll reach out to actual like sponsors, suppliers, whatever, and do

[00:43:01] it.

[00:43:01] But I'd like to, that's something else I'd like to do maybe three or four of those a

[00:43:04] year.

[00:43:05] Uh, and, um, that's one thing, of course, I'm still a full-time tattooer.

[00:43:09] I would say full-time I tattoo three days a week, but it's three long days a week.

[00:43:14] Yeah.

[00:43:14] Uh, so it's a private studio.

[00:43:18] Yeah.

[00:43:18] Yeah.

[00:43:19] I'm in a private studio.

[00:43:20] Um, and say, I've got a good clientele and, and we were, I worked from noon until six

[00:43:25] 30 or seven, uh, Tuesday, Wednesday, Thursday each week.

[00:43:28] And, um, and I, I have, um, my wife and I have a, like a real estate business.

[00:43:33] We have a lot of rental property here in Memphis.

[00:43:35] And so she manages the day to day of that, but there are a few projects that we're working

[00:43:40] at and that I'm in the middle right now finished or just finishing up what we're calling a

[00:43:43] flex space, basically trying to build, um, I never built anything.

[00:43:47] I'm just buy houses and run them out.

[00:43:48] So I had an empty lot and we ended up building this, uh, big metal building that we're going

[00:43:53] to insulate and heat and cool.

[00:43:55] And, uh, and, um, we're going to rent it out.

[00:43:58] I was going to keep it and use it myself, but I don't know what I need it for.

[00:44:01] I just feel like I wanted a big building.

[00:44:02] Sounds like a great place to grow mushrooms.

[00:44:05] Probably could grow mushrooms.

[00:44:06] Yeah.

[00:44:06] Yeah.

[00:44:07] Sounds like a great place to grow mushrooms.

[00:44:09] You got to keep it real sterile, but it sounds like a good place to grow mushrooms.

[00:44:15] That's where my mind went.

[00:44:17] Yeah.

[00:44:17] I don't know what we're going to do with them.

[00:44:19] Well, I wanted to build one just to see what it was going to be like.

[00:44:21] Uh, it's almost finished.

[00:44:22] So now I have to figure out whether we're going to rent it, sell it or use it.

[00:44:25] Uh, and then if, and then I think we're going to try to build like a little complex of them.

[00:44:29] We're going to try to find some, uh, commercial land and build like eight of them and gate it

[00:44:33] and, you know, make it secure and all that.

[00:44:35] And either rent it depending on the area area as artist spaces, if it were midtown Memphis

[00:44:39] or small, um, commercial, like HVAC painting, whatever, if it's in different areas.

[00:44:44] But so I don't know, we're just always trying to, I just like to stay entertained, you know?

[00:44:48] So I'm like, uh, get up.

[00:44:50] And it's like, if a business seems like it's boring and things are going wrong with it or

[00:44:53] not going wrong with it, but if it's like the monotony of doing the same thing with it,

[00:44:57] it's like, well, how do we shake it up?

[00:44:59] Like it's supposed to be fun.

[00:45:00] Right.

[00:45:01] What's the point?

[00:45:02] Why don't we take all the, all the risk of like, if I, if I want to do boring stuff,

[00:45:06] I just go get a paycheck and do boring stuff and be guaranteed a paycheck.

[00:45:10] Like, you know, exactly.

[00:45:11] Like I don't want to do boring stuff and take the chance of not making money.

[00:45:15] So exactly, exactly.

[00:45:17] Absolutely.

[00:45:17] No, I love that perspective.

[00:45:19] I love it.

[00:45:20] Um, that's very cool.

[00:45:22] Well, if people want to work with you or get, you do an interview or anything like that,

[00:45:29] what are the best ways to contact you?

[00:45:31] The easiest thing is probably, um, we, uh, we use gay, Gabe Ripley has us on this one

[00:45:37] box system.

[00:45:38] So everything ends up in one place.

[00:45:39] So however you used to, I would say, don't DM me or whatever, but now it all goes to the

[00:45:43] same place.

[00:45:44] So Instagram, I'm plug ugly art or fireside tattoo, uh, and you know, Facebook or fireside

[00:45:50] tattoo.

[00:45:50] Um, but, um, uh, info at firesidetattoo.com, uh, is, uh, is the email and I have a great

[00:45:57] assistant.

[00:45:57] Her name is Allie and she's been with me for five or six years and she's on the

[00:46:00] ball.

[00:46:01] Yeah.

[00:46:01] She, she answers everything and, and like screenshots and sends me things all the time.

[00:46:06] So I like, I'm, I don't miss stuff like I used to.

[00:46:09] She's, she's really good.

[00:46:10] Phenomenal.

[00:46:11] Phenomenal.

[00:46:11] Do we miss anything or is there anything we didn't talk about that you might want to

[00:46:16] talk about or share?

[00:46:17] I mean, you had a, you had a great, I feel like you had a great run in, in tattooing.

[00:46:25] I mean, uh, very similar to me.

[00:46:28] I mean, a lot of things that I think people could correlate to the timeline and stuff.

[00:46:32] It doesn't sound like you had a lot of hazing.

[00:46:34] Um, or anything bad.

[00:46:36] Yeah.

[00:46:37] Yeah.

[00:46:37] It was, it wasn't bad.

[00:46:38] I mean, I wasn't, it wasn't like mapped out perfectly or anything like that, but it,

[00:46:43] you know, uh, I think we kind of, I think we hit it all thing.

[00:46:46] You know, it was, uh, probably a pretty typical apprenticeship for the mid nineties.

[00:46:49] Yeah.

[00:46:50] You know, probably not that different.

[00:46:52] So, well, and I feel like, uh, you know, I feel like you were really meant to always

[00:46:56] be here, Jake.

[00:46:58] Like, um, because it seems like a lot of things were like, Oh, Oh.

[00:47:04] And like that, it is like finding your style, your life kind of culminated to a lot of these

[00:47:09] kind of, I can see your whole seminar kind of, and how you move throughout your life.

[00:47:13] And like, somebody was like, look at this.

[00:47:15] And like, I was listening to this and then I did this and yeah.

[00:47:18] So it's pretty cool.

[00:47:19] Very authentic.

[00:47:20] I love it.

[00:47:21] Well, thanks.

[00:47:22] I appreciate it.

[00:47:23] Definitely.

[00:47:23] I appreciate the invite.

[00:47:24] I enjoyed the conversation.

[00:47:25] Hell yeah, man.

[00:47:26] Well, I don't want to keep you too much longer.

[00:47:27] I, um, I, I just appreciate this time so much.

[00:47:31] It's really, really cool.

[00:47:32] And, uh, yeah, thanks.

[00:47:33] Me too.

[00:47:34] Definitely.

[00:47:35] Let me, let me, uh, let me know when it comes out.

[00:47:37] I'll be happy to, to push it.

[00:47:40] Oh yeah.

[00:47:41] Absolutely.

[00:47:41] Well, have a great rest of your day.

[00:47:42] Enjoy post-workout and the rest in your family.

[00:47:45] Thank them for me.

[00:47:47] They let me borrow you for a bit.

[00:47:49] Yeah.

[00:47:49] It's a pretty, yeah.

[00:47:50] Decent time.

[00:47:51] Well, thanks.

[00:47:52] I'm looking forward to seeing you in October.

[00:47:54] Definitely, man.

[00:47:55] Bye-bye.

[00:47:56] Bye.

[00:47:58] Okay.

[00:47:59] Everybody that wraps it with Jake Meeks of Fireside Tattoo.

[00:48:04] Be sure to go over and listen to Fireside.

[00:48:08] Uh, uh, of course we always appreciate your listening time here, but, uh,

[00:48:12] uh, uh, as I explored in this podcast with Jake, uh, he, he is quite a name in the podcast

[00:48:20] space.

[00:48:20] And, uh, I think you do yourself a disservice.

[00:48:23] He knows a lot more people than me.

[00:48:26] He's been doing it a lot longer than me.

[00:48:27] And, uh, this, this podcast has its own, its own space.

[00:48:32] Um, but his is definitely about the people he interviews and what they are doing and their

[00:48:41] tips and tricks.

[00:48:42] So it's, it's very cool.

[00:48:44] Uh, so make sure to go over there.

[00:48:46] The one thing I didn't ask him that I really wish I would have is why he calls his Instagram

[00:48:52] handle Plug Ugly Art.

[00:48:54] I should have asked it.

[00:48:55] Like, I'm mad at myself that I didn't, I want to know.

[00:48:59] I'm sure there's a story behind it.

[00:49:01] Um, his work is stunning, so it, it makes no sense, but it is cute and it is funny.

[00:49:07] And I, and I do like the humility of it.

[00:49:09] So, um, high marks there, but I, I didn't ask and I feel like a failure as a interviewer.

[00:49:16] So, Jake, I'm sorry.

[00:49:18] Um, and, and listeners, I'm sorry.

[00:49:21] That might've been a, that might've been a question you had.

[00:49:25] Anyway, listeners, I really hope that you have a powerful week.

[00:49:29] Uh, Jake, I will see you in paradise.

[00:49:31] God willing, uh, we'll all make it there.

[00:49:33] For those listening that think that they might not be able to swing it financially, please

[00:49:37] know that there is a scholarship fund for you.

[00:49:39] Just go and apply.

[00:49:41] Um, we, we have stated it a couple times on the IG and it is listed on the main website,

[00:49:48] but, uh, I'm going to attempt to tell you the direct link right now.

[00:49:53] So it's HTTPS colon forward slash forward slash paradise dot tattoo gathering dot com

[00:50:03] forward slash paradise dash scholarship.

[00:50:08] Man, that was like a tongue twister.

[00:50:10] And, uh, I know I said it pretty quickly.

[00:50:13] Like I said, you should be able to find it at, uh, tattoo gathering dot com.

[00:50:18] Uh, we have, we have a couple direct links there, but I just wanted to give you the direct link

[00:50:23] so that you could hope to get there.

[00:50:26] Please apply.

[00:50:27] If you know somebody that should apply, but they never do it for themselves, you can nominate

[00:50:31] them and you can donate to it.

[00:50:34] So if you're somebody who likes to give back and, uh, you run a really good mission to do

[00:50:39] that with paradise is top notch.

[00:50:42] So please visit that link and, uh, and apply yourself to it in whatever way you feel inspired.

[00:50:51] All right, everybody have a great week.

[00:50:54] God bless you all.

[00:50:55] I'll, uh, God willing catch you next week.

[00:50:59] Later.

[00:51:03] Thanks for listening.

[00:51:04] You can find the apprenticeship diaries on Twitter, Facebook, and Instagram.

[00:51:08] Our IG is the underscore apprenticeship underscore diaries.

[00:51:12] If you would like to offer constructive criticism or an interview, drop us an email at

[00:51:17] theapprenticeshipdiaries at gmail.com.

[00:51:19] We look forward to hearing from our listeners.